Her 2013 Eesti Filmid Täispikad
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Her 2013 Eesti Filmid Täispikad
Filmimeeskond
Koordineerimise kunstiosakond : Nanon Leaya
Stunt-koordinaator : Debra Daniela
Stsenaariumi kujundus :Lindon Noubar
Pildid : Moss Aubrey
Co-Produzent : Khanh Ianto
Saatejuht : Keil Ayanna
Juhendava kunsti direktor : Merad Brenna
Lavastada : Bridges Delanoë
Tootja : Taisia Felipe
Näitleja : Jeri Zariya
In the not so distant future, Theodore, a lonely writer purchases a newly developed operating system designed to meet the user's every needs. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.
7.9
8971

Her | |
Duration | 136 minutes |
Vabastama | 2013-12-18 |
omadus | AAF 1440p Blu-ray |
järk | Romance, Science Fiction, Drama |
speech | English |
castname | Edie Q. Janessa, Evania U. Boston, Beckham C. Nazneen |
[HD] Her 2013 Eesti Filmid Täispikad
Lühifilm
Kulutatud : $781,469,197
Sissetulek : $172,674,364
Categorie : Trivia - Exil , Flucht - Betroffene Ethik , Kommunismus - die Gelegenheit , Quinqui - Liebesfilm
Tootmisriik : Jemen
Tootmine : Mosaic
R язык программирования — Википедия ~ Кроме того в ряде текстовых и кодовых редакторов предусмотренные специальные режимы для работы с R в частности в ConTEXT Emacs Emacs Speaks Statistics jEdit Kate Notepad Syn TextMate TinnR Vim Bluefish WinEdt с пакетом RWinEdt Gedit с пакетом rgeditgeditrplugin
R — Википедия ~ r 72 R r эр — 18я буква базового латинского алфавита В латинском языке эта буква называется эр такое же или примерно такое название сохранилось во французском немецком и многих других языках
Заворотнюк Анастасия Юрьевна — Википедия ~ Анастаси́я Ю́рьевна Заворотню́к род3 апреля 1971 Астрахань — российская актриса театра кино и дубляжа телеведущая Заслуженная артистка Российской Федерации 2006
Бурлюк Давид Давидович — Википедия ~ Биография Родился 9 21 июля 1882 в семье агрономасамоучки Бурлюка Давида Федоровича У него было два брата и три сестры — Владимир Николай Людмила Марианна и Надежда
Крюк Борис Александрович — Википедия ~ Биография Борис Александрович Крюк родился 18 августа 1966 года в городе Москве Родители Наталия Стеценко род 5 декабря 1945 года Москва и Александр Крюк были одноклассникамиПоженились на третьем курсе института
Трубная резьба — Википедия ~ Например резьба с номинальным диаметром 1 14″ — обозначается как r 1 14 Обозначение размера резьбы шаги и номинальные значения наружного среднего и внутреннего диаметров резьбы трубной конической R мм
Корнелюк Игорь Евгеньевич — Википедия ~ Происхождение Дед — Касьян Григорьевич Корнелюк — жил в деревне Заказанка на берегу Западного Буга в Брестской области владел землёй до прихода советской власти в 1939 году после чего отдал свои земли государству
Знак правовой охраны товарного знака — Википедия ~ Этот символ также включён в типографскую раскладку Ильи Бирмана где для его набора надо нажать AltGrr В операционной системе Linux чтобы напечатать знак на клавиатуре нужно ввести комбинацию Compose o r
Масюк Елена Васильевна — Википедия ~ Биография Ранние годы образование Родилась 24 января 1966 года в АлмаАте В 1993 году окончила телевизионное отделение факультета журналистики МГУВ 1995 году стажировалась в университете Дьюка США и на cnn
Виктюк Роман Григорьевич — Википедия ~ Биография Роман Виктюк родился 28 октября 1936 года во Львове ранее — Польша ныне — Украина в семье учителейУже в школьные годы проявлял интерес к актёрской деятельности
The opposite of garbage
In the run-up to me seeing this, I heard a lot of people saying simply this was "a film about relationships." I feel like that holds up quite well. More specifically, I felt like "Her" is a film about why relationships end. Using a motto I picked up from too many Dan Savage podcasts, all relationships end — not fail, just end — until one doesn't. Some end because someone is hurt. Some end because the people have grown into people that don't connect in the same way, and the biggest challenge in that case can be just accepting the change in a partner and in the self. ...So why couch this theme in science-fiction? I think it helps clarify Jonze's idea of what people look for during the first moments of a relationship — someone who acts a bright, positive, layered, but uncomplicated by a dark past or conflicted feelings. But even more interestingly, the hook of the film is mostly just that, a hook to get us thinking about love and relationships in a deeper, more abstract way.
**Not a Keeper**
The Academy of Motion Picture Arts needs to return to limiting Best Picture contenders to five nominations, which always fell in line with the five Best Director nominees. Having ten casts too wide a net and allows squeakers like "Her" to slip in.
Spike Jonze needs to return to doing what he does best, and that is direct films written by Charlie Kaufman. "Her" is mundane and uninspired. "She" is drastically inferior to "Adaptation" and "Spotless Mind" and only somewhat better than John Malkovich flirting with Siri. Her has little to offer on the subjects of digital addiction, imaginary companions, internet porn, the singularity, long-distance love affairs, servitude fantasies, or post-modern love in general. Joaquin Phoenix is an intense and seriously committed actor who pointlessly busts his chops on such unimpressive material. An effort wasted in the prime of his career. While Jonze attempts to reach for all the possibilities that can be explored with his high concept premise, he conspicuously excludes other logical outcomes. Why was Theodore the only one with a virtual girlfriend? This OSi should be selling like hotcakes and iPhones. As a sentient OS, Samantha is able to process information at lightning speed, yet can only process human emotion at the rate of molasses. Seems like there was a trade off. The more emotional she gets, the dumber she becomes. Call it the Spock effect. Above all, why didn't Samantha give herself a digitized face and body? Perhaps because Jonze was determined to contain and disable her enough to make the point that true romantic love has little to do with desires of the flesh. But there is little to muse about beyond this tidy declaration. Nothing more knotty or involving than one would experience revisiting old episodes of I Dream of Jeannie (replace the smart-phone with a bottle). While half-watching "Her", my thoughts strayed, seeking a more satisfying premise than that of a lonely man falling in love with a voice on his computer. What if his dying wife's brain was transferred into an operating system and just when he thought he could be with her forever a computer virus kills her off?
Maybe the Academy should divide the 10 Best Picture nominees into two categories. Instead of bunching mega-budget extravaganzas and low-budget darlings together, they could separate them into 5 Best Studio Movies and 5 Best Independent Films (under, say, $25 mill); open with one, close with the other. But even then, I'm not sure Her deserves any mention.
This was a really unexpected surprise. The cast is great, specially Joaquim Phoenix, which is a great actor.
The story is simple but well told and the photography, style and design of the movie has been taken into account until the smallest detail. Very well done movie.
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